Monday, September 27, 2010
Do You Notice A Pattern?
I don't, except to note that the online world is strangely populated with attempts, one-offs, hopes without result, brilliant ideas, with no follow through. So many abandoned blogs and websites out there like ghost ships. What is their story? Why did their crew disappear? Why haven't they been heard from in months or years? I have left my own words floating abandoned out there, which means some code is on a server somewhere, or rather a certain arrangement of molecules is on a server somewhere, which if accessed properly can be read as my words, so it's not really floating out there like a ghost ship: it's a hieroglyph, a cave painting. I'm already part of a lost civilization! I don't know. It's a rainy day everything seems abandoned. Half the worldwide web seems abandoned.
Tuesday, September 21, 2010
Some notes toward an Explication: Jesus Shaves
Paranoid Larry has this beautiful song called "Jesus Shaves" It has been recorded by the Roches. I have not heard that recording but Paranoid Larry's version certainly seems sufficient for the day. Anyway go listen to it at the prior link or here and then report back.
Some notes: This song which starts with a perhaps all too obvious play on "Jesus Saves" quickly becomes something special. Looking at Paranoid Larry one would not be surprised that the old saw horse about about shaving, cutting one's hair and "selling out" would be the them of "Jesus Shaves" but PL gets that out of the way in the first verse, never to return to it:
Jesus shaves, joins corporate America
Gets laid off
Grows his beard back.
The rest of the song is just a story which could be anybody's story. It could be anybody shaving. Now we can over interpret this all we want and say that the portrayal of Jesus as just one of us is significant. But once you draw attention to that, Jesus is no longer one of us. He becomes someone else being like one of us. Any hint of divinity and it is all but impossible to imagine the humanity. I am drawing attention to this, PL does not. That is what I love about this song and it is perhaps a source of its potential offense. ( In fact it is the most unoffensive song imaginable. It is downright sweet.) There is absolutely nothing special about Jesus in this rendering other than that he is a human being. In fact this song would work and be just as sweet and moving, and a slice of human life, by substituting any male name for Jesus. Try it. Isn't that a beautiful lyric.
[Your choice of name here] shaves
Goes on an interview
Does real well
He's got a way with people
two years on he’s still an apprentice,
but not for long, it’s graduation.
___________ shaves,
put’s his best suit on, get’s a certificate,
makes it official, now he’s a welder,
wears a big helmet, and twice a week now,
____________shaves.
Even the moving chorus would not be out of place in a song about anyone:
Blessed are the ones who make peace
Blessed are the ones who scrape by
Blessed are the ones living holy lives
And here's to the rest of us who try
In fact I wonder if the fact that this reference to The Beatitudes might not detract slightly (but only slightly) from the effect I have been describing, since in changing somewhat the words of the Beatitudes we cannot help but here it as a commentary on words attributed to Jesus in the New Testament, and thus he is taken out of the realm of everyman and we run the danger of thinking the whole song is only a rewriting of the Jesus story to fit the needs of the writer who wishes to at least claim blessing for those who scrape by, like the Jesus of the song. It may be significant and perhaps saves the song from falling into theological commentary that PL does not claim blessing for the rest of us, but only offers us a toast so to speak. More to my point however, is that if this chorus were in a song in which someone with a different name were shaving, it would be as or even more moving.
So let me propose a suggestion inspired by this facet of "Jesus Shaves", whenever a writer, poet, theologian, songwriter, philosophy, decides to write or speak about the humanity of Jesus, before publishing same that person should substitute some other name and see if the statement works. If so let it stand as a proper statement of humanity. If not edit appropriately. As readers it may be an interesting exercise. Hey it might not even work. In that case discard this suggestion.
[Note for further thought Paranoid Larry's word plays-- not only does Jesus shave, he also shaves--the scales off the fishes after ice-fishing for perch. One of Paranoid Larry's newer songs-- Girl At the End of the Bar cannot resist the temptation to have "at the end of the bar" refer to a musical measure at least once. Of course John / Henry carries this to extremes--its to the tune of "John Henry" but talks about all these people named John (like John Ashcroft) or Henry (like Kissinger or Adams). Such plays are of course a long running staple of poetic inspiration, and for the character of Paranoid Larry they do bear a hint of madness for sure. In the songs I've heard so far PL gets really close to the edge of overdoing this on occasion but always seems to pull back at the right moment. On the other hand I haven't listened to his entire catalog yet.]
But here is something else which separates the humanity of the shaving Jesus in this song from the usual theological poetic rendition of that humanity-- this song has a happy, if unexceptionable arc, it's a life of some guy, who ends up marrying the girl in payroll. Most renditions of anything about Jesus concentrate on the suffering and the fear of death, and not the beauty of his daughter being late for the school bus because she "likes watching as Jesus shaves."
Some notes: This song which starts with a perhaps all too obvious play on "Jesus Saves" quickly becomes something special. Looking at Paranoid Larry one would not be surprised that the old saw horse about about shaving, cutting one's hair and "selling out" would be the them of "Jesus Shaves" but PL gets that out of the way in the first verse, never to return to it:
Jesus shaves, joins corporate America
Gets laid off
Grows his beard back.
The rest of the song is just a story which could be anybody's story. It could be anybody shaving. Now we can over interpret this all we want and say that the portrayal of Jesus as just one of us is significant. But once you draw attention to that, Jesus is no longer one of us. He becomes someone else being like one of us. Any hint of divinity and it is all but impossible to imagine the humanity. I am drawing attention to this, PL does not. That is what I love about this song and it is perhaps a source of its potential offense. ( In fact it is the most unoffensive song imaginable. It is downright sweet.) There is absolutely nothing special about Jesus in this rendering other than that he is a human being. In fact this song would work and be just as sweet and moving, and a slice of human life, by substituting any male name for Jesus. Try it. Isn't that a beautiful lyric.
[Your choice of name here] shaves
Goes on an interview
Does real well
He's got a way with people
two years on he’s still an apprentice,
but not for long, it’s graduation.
___________ shaves,
put’s his best suit on, get’s a certificate,
makes it official, now he’s a welder,
wears a big helmet, and twice a week now,
____________shaves.
Even the moving chorus would not be out of place in a song about anyone:
Blessed are the ones who make peace
Blessed are the ones who scrape by
Blessed are the ones living holy lives
And here's to the rest of us who try
In fact I wonder if the fact that this reference to The Beatitudes might not detract slightly (but only slightly) from the effect I have been describing, since in changing somewhat the words of the Beatitudes we cannot help but here it as a commentary on words attributed to Jesus in the New Testament, and thus he is taken out of the realm of everyman and we run the danger of thinking the whole song is only a rewriting of the Jesus story to fit the needs of the writer who wishes to at least claim blessing for those who scrape by, like the Jesus of the song. It may be significant and perhaps saves the song from falling into theological commentary that PL does not claim blessing for the rest of us, but only offers us a toast so to speak. More to my point however, is that if this chorus were in a song in which someone with a different name were shaving, it would be as or even more moving.
So let me propose a suggestion inspired by this facet of "Jesus Shaves", whenever a writer, poet, theologian, songwriter, philosophy, decides to write or speak about the humanity of Jesus, before publishing same that person should substitute some other name and see if the statement works. If so let it stand as a proper statement of humanity. If not edit appropriately. As readers it may be an interesting exercise. Hey it might not even work. In that case discard this suggestion.
[Note for further thought Paranoid Larry's word plays-- not only does Jesus shave, he also shaves--the scales off the fishes after ice-fishing for perch. One of Paranoid Larry's newer songs-- Girl At the End of the Bar cannot resist the temptation to have "at the end of the bar" refer to a musical measure at least once. Of course John / Henry carries this to extremes--its to the tune of "John Henry" but talks about all these people named John (like John Ashcroft) or Henry (like Kissinger or Adams). Such plays are of course a long running staple of poetic inspiration, and for the character of Paranoid Larry they do bear a hint of madness for sure. In the songs I've heard so far PL gets really close to the edge of overdoing this on occasion but always seems to pull back at the right moment. On the other hand I haven't listened to his entire catalog yet.]
But here is something else which separates the humanity of the shaving Jesus in this song from the usual theological poetic rendition of that humanity-- this song has a happy, if unexceptionable arc, it's a life of some guy, who ends up marrying the girl in payroll. Most renditions of anything about Jesus concentrate on the suffering and the fear of death, and not the beauty of his daughter being late for the school bus because she "likes watching as Jesus shaves."
Brief Political Thought
I am listening to a CBS TV report about political campaign advertisements. Apparently according to a recent Supreme Court decision the groups running the ads do not have to disclose who is bankrolling them. It occurs to me that I was somehow meant to be concerned that the money behind these ads was not being revealed. But why should this concern me? More importantly, what must I assume to be the case about reality and humans for me to conclude anything about this lack of information, one way or the other?
Monday, September 13, 2010
Covers
As I was attempting to locate places to send The Everybody Knows so as to assist in the spreading of that particular good thing, I came across this blog entry about covers albums. There are some interesting things said in that debate, But it occurred to me that on this very scene we have a decent tradition of covers with at least two covers albums out there worth the noting and the listening. There is Brook Pridemore Sings Antifolk's Greatest Hits, of course. There is also Neil Kelly's "Club Mate Sings the Songs Of Thomas Patrick Maguire" which I can't find and I wish I owned.
The aforesaid The Everybody Knows could probably put together a decent covers album. It would include the following: 1) Eric Wolfson's Lighthouse 2) Hank William's Angel of Death 3) The Beat Happening's Indian Summer 4) I am told there is a tape of Dan Penta doing Dylan's "I Dreamed I Saw St. Augustine" 5) Adam Green's Mozarella Swastika. 6) David Herman Dune number which I have heard The Everybody Knows a/k/a Dan Penta do but can't remember the title of it.
Also floating out there are John Houx's cover of Debe Dalton's "Sidestep the End of the Day." and Mike Baglivi a/k/a Heroes of the Open End doing Debe's "Normal." Then there is Dan Costello covering "John Houx's Apple on a Talble Green." We should mention Rav Shmuel's "I Want to Be Sedated/Hey Jude" cover.
As for folk covering The Everybody Knows There is at least one recorded cover out there of a Dan Penta tune: Ziploc Torso by Kristen Gass. And Stacy Rock does an amazing version of "Death is A Charm." Years ago I heard someone do "Protest Finger" but I can't remember who.
The aforesaid The Everybody Knows could probably put together a decent covers album. It would include the following: 1) Eric Wolfson's Lighthouse 2) Hank William's Angel of Death 3) The Beat Happening's Indian Summer 4) I am told there is a tape of Dan Penta doing Dylan's "I Dreamed I Saw St. Augustine" 5) Adam Green's Mozarella Swastika. 6) David Herman Dune number which I have heard The Everybody Knows a/k/a Dan Penta do but can't remember the title of it.
Also floating out there are John Houx's cover of Debe Dalton's "Sidestep the End of the Day." and Mike Baglivi a/k/a Heroes of the Open End doing Debe's "Normal." Then there is Dan Costello covering "John Houx's Apple on a Talble Green." We should mention Rav Shmuel's "I Want to Be Sedated/Hey Jude" cover.
As for folk covering The Everybody Knows There is at least one recorded cover out there of a Dan Penta tune: Ziploc Torso by Kristen Gass. And Stacy Rock does an amazing version of "Death is A Charm." Years ago I heard someone do "Protest Finger" but I can't remember who.
Thursday, September 2, 2010
This Machine...
Joe Crow Ryan's great shirt and subsequent album, nay two albums--This Machine Kills Purists and This Machine Kills Purists 2 Personally and I think I mentioned this to Joe once, I think it should make sure it doesn't kill all purists lest it seem too pure in its own right. But machines are machines and often they must run through their paces I guess. As for instance this machine is on a major philosophic analyzing routine and explication can hardly get any computing time whatsoever. Lately it has occurred to me that when we say something is possible, or impossible, or necessary we are not saying anything at all about the proposed thing or event, but rather speaking about the world. Thus when people are speaking of possible worlds, they are saying that in this world, something could have been different. Now it is also the case that any statements of possibility in this world are hypotheses, because the only things we can be absolutely sure are possible are those things which happened-- we know this about this universe that these things or events which have happened can happen. Then the question becomes as follows: is it possible that these things could have been impossible. But that questions whether this world could have turned out in such a way, that what has happened could never have happened. And yet we know that had that world occurred from the point of view of that world, this world could have happened, because in fact it has happened, which means that even if this world were unimaginable, and seemed impossible in that other possible world, it would still in fact be possible.
Is the possibility of this world then necessary? But let us be clear. We can only be certain, because it is actual, that what has happened and what is, is possible. That is the only possibility that we can be certain is necessary, as it is the only possibility we can ascertain. Thus any language, or logic, which states that if something is possible it is necessary that it is possible has drifted into definition and away from axiomatization. Rather let the axiom be that if p is actual, then p is necessarily possible. But note that we can say for certain if something is necessarily possible then it is actual.
Is the possibility of this world then necessary? But let us be clear. We can only be certain, because it is actual, that what has happened and what is, is possible. That is the only possibility that we can be certain is necessary, as it is the only possibility we can ascertain. Thus any language, or logic, which states that if something is possible it is necessary that it is possible has drifted into definition and away from axiomatization. Rather let the axiom be that if p is actual, then p is necessarily possible. But note that we can say for certain if something is necessarily possible then it is actual.
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